ISSN: 2158-7051 ==================== INTERNATIONAL JOURNAL OF RUSSIAN STUDIES ==================== ISSUE NO. 11 ( 2022/1 ) |
READING BACKWARDS AN ADVANCE RETROSPECTIVE ON RUSSIAN LITERATURE, By Ayse Dietrich*, Published by OpenBook Publishers, Edited by Muireann
Maguire and Timothy Langen, Year of Publishing: 2021.
Subject Area: Anthology of Gogol, Dostoevsky and Tolstoy. Book Type: Russian Literature.
Total Number of Pages: 290. ISBN: 9781800641198, paperback, $19.95.
This
collaborative work is an anthology of writings by Gogol, Dostoevsky and Tolstoy
and a retrospective analysis of their works. They focus on anticipatory
plagiarism in Russian literature by using an ‘advance retrospective’ approach.
In the first part, there are two articles dedicated to Gogol. In
the first article, Langen argues that Gogol borrowed
ideas from the Irish writer Flann O’Brien and the Russian experimentalist Sigizmund Krzhizhanovsky. He
discusses Gogol’s Testament, his visual secretics that works as a
kind of reading or seeing backwards, and his attempt to plagiarize his own
forthcoming death.
In the second article, Vinitsky discusses
Gogol’s choice for his memorial painting, Raphael’s Transfiguration, and the scene used by Alexander Ivanov in
his painting The Appearance of Christ to the People. The incorporation
of his own portrait and features within Ivanov’s painting as an image of a prophetic figure are also
discussed in this chapter.
In part two, there are
three articles dedicated to Dostoevsky. In the third article, using the
‘advance retrospective’ approach, Bowden explores Dostoevsky’s debt to Coetzee
and to Kurt Vonnegut Jr. He examines Dostoevsky’s “plagiarism” of the works of
these two writers and Bakhtin and shows how Dostoevsky’s prose was a forerunner
to early 21st century ethical dialogism.
In the fourth article, David
Gillespie and Marina Korneeva examines Dostoevsky’s book,
The House of the Dead, and, again employing the ‘advance retrospective’
approach, highlights its borrowings from a contemporary novel set in a Siberian
prison, Zuleikha Opens Her Eyes, by Guzel Yakhina.
In the same vein, the fifth
article by Inna Tigountsova analyzes how Dostoevsky’s
Underground Man was based on a female version of this character type featured
in a novel by Liudmila Petrushevskaia,
The Time: Night.
In
the third part, there are three articles dedicated to Tolstoy. The sixth
article by Maguire analyzes the paradox of how Tolstoy stole the plot of Resurrection from British writer Hall
Caine, and examines the interactions between Tolstoy and Caine, and then
analyzes the reaction to Tolstoy’s works by late 19th century
British society as well as other bestselling, socially one-sided contemporary
novels.
In
the seventh article, Shankman examines proto-Levinasian
ideas in Tolstoy. He reads the final sentence of Anna Karenina (1878)
and sees it both foreshadowing the radical philosophical speculations of
Emmanuel Levinas, as well as linking this novel conceptually with another of
Tolstoy’s works, Resurrection.
In
the eighth and final article, Yefimenko examines
Homer’s Iliad from the perspective of its “borrowings” from Tolstoy’s War
and Peace. The parallels in plot, characterization and style between the
two works are analyzed within the a larger study of
Tolstoy’s familiarity with ancient Greek literature.
In the Afterword, Eric Naiman
uses the works of numerous modern writers and thinkers to support his argument
that ‘anticipatory plagiarism’ not only provides modern readers with a new
perspective on older literature, but that it could even be regarded as a new
form of art.
This anthology is very specialized, speculative book aimed
at researchers, academician and students who are interested in this specific topic.
*Ayse Dietrich - Professor, Part-time, at Middle East Technical University, Department of History and Eurasian Studies. Editor and the founder of the International Journal of Russian Studies (IJORS) e-mail: editor@ijors.net, dayse@metu.edu.tr, dietrichayse@yahoo.com
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